Vol. 51 No. 102 (2026): Escrita Criativa: teoria e processos

A escrita criativa vem se consolidando como campo vivo do conhecimento, interseccionando teoria, prática artística e processos de criação de textos ficcionais e não-ficcionais. Ancorando-se em discussões que vão do clássico ao contemporâneo, a escrita criativa busca explorar o desenvolvimento dos processos de escrita, bem como seus resultados, em perspectivas metodológicas e reflexivas. O presente dossiê dedica-se aos estudos críticos sobre processos de criação literária com foco na relação entre o fazer literário e a reflexão sobre seus elementos constitutivos. 

Published: 2026-09-28

Presentation

  • Apresentação

    Ana Cláudia Munari Domingos, Luiz Antonio de Assis Brasil, Natalia Borges Polesso
    01-04
    DOI: https://doi.org/10.17058/signo.v51i102.21606

v. 51, n. 102, 2026 - Escrita Criativa – teoria e processos

  • Planning the novel: notes from a Research and Creative Writing Group

    Adriana Schons, Caroline Joanello, João Pedro Marchi, Laura Jovchelovitch, Moema Vilela, Rodrigo Bittencourt, Samir Machado de Machado, Tobias Carvalho, Ulisses Rambo Carneiro
    05-18
    DOI: https://doi.org/10.17058/signo.v51i102.21448

  • A path toward saying yes to the world: the creation of a novel

    Luciany Aparecida
    19-27
    DOI: https://doi.org/10.17058/signo.v51i102.21473

  • Fiction as a public anthropology of intimacy: from dissertation to novel in a diary of ethnographic fabulation

    Beatriz Brandão
    28-38
    DOI: https://doi.org/10.17058/signo.v51i102.21471

  • Escrevivência as a poetics of process: memory, fiction and narrative composition in Conceição Evaristo’s Olhos d’água

    Hélio Moïse Rodrigues Viana, Luiz Henrique Silva de Oliveira
    39-50
    DOI: https://doi.org/10.17058/signo.v51i102.21402

  • An epistolary essay to the writer Djaimilia Pereira de Almeida

    Raissa Lauana Antunes da Silva
    51-55
    DOI: https://doi.org/10.17058/signo.v51i102.21214

  • Letters That Think: Towards an Epistolary Epistemology of Creative Writing

    Luan Gomes dos Santos de Oliveira, Rosana de Medeiros Silva
    56-69
    DOI: https://doi.org/10.17058/signo.v51i102.21458

  • A arca, os livros e os cadernos azuis

    Osvaldo Arthur Menezes Vieira
    70-86
    DOI: https://doi.org/10.17058/signo.v51i102.21455

  • Women with tears in their eyes

    Mariana Vogt Michaelsen
    87-94
    DOI: https://doi.org/10.17058/signo.v51i102.21450

  • Writing About the Other: Creative Processes in Nonfiction Writing Through the Reconfiguration of the Literary Journalistic Profile

    Rafael Gloria
    95-101
    DOI: https://doi.org/10.17058/signo.v51i102.21444

  • Between the ancient and the enchantment: a commented translation of the short story "El pájaro de la verdad" by Cecilia Böhl de Faber (Fernán Caballero)

    Claudio Luiz da Silva Oliveira, Laura Taline Nascimento de Oliveira
    102-116
    DOI: https://doi.org/10.17058/signo.v51i102.21376

  • Bodies, fruits and parties: creative processes and the contemporary poem’s strange performances

    Clarisse Garrido
    117-127
    DOI: https://doi.org/10.17058/signo.v51i102.21397

  • Imaginations of the end: images of the end of the world in creative writing practices in high school

    Ernani Silverio Hermes
    128-140
    DOI: https://doi.org/10.17058/signo.v51i102.21349

  • Tides of Memory: Creative Writing and Ocean Literacy in the Context of Full-Time Education

    Flávia Roldan Viana, Ana Valéria Roldan Viana
    141-152
    DOI: https://doi.org/10.17058/signo.v51i102.21323

  • A fenomenologia da leitura na escrita criativa

    Augusto Quenard
    153-163
    DOI: https://doi.org/10.17058/signo.v51i102.21470

  • The page as score: creative writing and the gamification of royalties on Kindle Unlimited

    Jaimeson Machado Garcia, Ana Claudia de Almeida de Campos
    164-174
    DOI: https://doi.org/10.17058/signo.v51i102.21406