Considerations about the audiovisual adaptation: noir fiction
DOI:
https://doi.org/10.17058/signo.v36i61.2512Abstract
The purpose of this article is to deal with the matter of audiovisual adaptation as an intersemiotic phenomenon and of “cultural translation”, focusing on a genre whose historical trajectory is an example of the dynamics of the absorption, transformation, and recreation in the relationship between cinema and literature: the noir. Three Brazilian audiovisual pieces will be evaluated: the films A Grande Arte (The Great Art), by Walter Salles Jr., and Bufo & Spallanzani, by Flávio Tambellini; and the televised miniseries Agosto (August), directed by Paulo José.Downloads
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Published
2011-07-01
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Section
Dossiê
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How to Cite
Considerations about the audiovisual adaptation: noir fiction. (2011). Signo, 36(61), 64-79. https://doi.org/10.17058/signo.v36i61.2512
